Rifle-Mounted Sensor Shows What Happens During Shot | Custom Music Box

This chilling sentiment becomes the nexus of the film’s significantly darker second half, which jumps six months ahead to take the temperature of Hollywood on the eve of the Charles Manson murders. As the landscape and the sociocultural identity of Hollywood continue to change, inching toward a post-Flower Generation comedown, Once Upon a Time…in Hollywood takes on an elegiac quality. The shift facilitates one of Tarantino’s more brilliant needle drops to date: of the Rolling Stones’s wistful, wounded, and ominous “Out of Time” playing over a montage of Dalton and Booth returning to L.A. from a sojourn to Europe and a pregnant Tate preparing her home for the arrival of her baby boy.

Like the film’s split-screen sequence, the scene where Imran watches his son on a surveillance camera underlies how De Palma no doubt wanted to make a film that considers the similarities between manufactured genre narratives and the true-life videos that proliferate on YouTube, and how our steady consumption of both is working to increasingly blur the line between fiction and nonfiction. But Domino goes through its motions too quickly for its imagery to convey the irrepressible force of provocation. And as a result, it’s more than a little easy to peg Martin as a double for De Palma, a cynic using a foreign country and actors to accomplish his ends, only to see the zealous motives of such accomplices—in De Palma’s case the film’s Danish producers—fuck him over, forcing him to go home while rolling his eyes.

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Laux founded Kanzleramt, Germany’s premier techno label, in 1994 to challenge traditional expectations of techno music and change the brand of contemporary techno. He himself is a prime example of his label’s success in the past quarter century, traveling the world since Kanzleramt’s 20th anniversary in 2014 to showcase his label’s works. Now, he’s ready to show what he’s been working on to the world in Detroit. —Alexander Harring

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There doesn’t seem to be a limit, so even the most bountiful banquet can be prepared using the HomePod to keep track of cooking times. Just try to remember which one’s for the sausage rolls and which is for the mini samosas, OK?

Shepard’s mercenary pace at times serves the film well. When Charlotte and Lizzie awaken the morning after, the filmmaker sustains, for about 15 minutes, an expert tone of slow-dawning dread. Both women are hungover, but Lizzie is dramatically ill, and Shepard plunges us into her panic and helplessness, capping the scene with the perverse spectacle of Lizzie vomiting yellow maggots against a bus’s windows, clutching her head in pain. Several tensions merge at this point in The Perfection: the fear of being sick in another country, of having to grapple with a new lover’s biological eccentricities, and a basic tension wrought by the violation of narrative expectation, as we’re meant to wonder how we moved from a film in the vein of Black Swan to something in the key of a zombie-outbreak movie. Shepard merges these tonal disparities with a lurid reveal, at which point his film goes completely bonkers.

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Surprisingly, many of the selections at this year’s Cannes Film Festival were genre films, or, at least, exhibited notable genre-adjacent elements. By and large, audiences recognized the influence of genre on these works in the moment, as in a UFO randomly popping into frame during Kleber Mendonça Filho and Juliano Dornelles’s Bacurau, or the eyes of a group of women rolling back in their heads during Mati Diop’s Atlantics.

Brandon Uranowitz, Best Performance by an Actor in a Featured Role in a Play, Burn This"This was the first time I actually got up and watched. I had never done it before and I couldn’t sleep and my boyfriend is in China, so I was super antsy so I just bit the bullet and watched.

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For Shepard, though, it’s just business, and his disappointing haste squanders the heat that’s been worked up in one of The Perfection’s best scenes, when Lizzie observes an infidelity at a concert and whispers to Charlotte that it makes her wet. Even more egregiously, Shepard glosses over a significant bit of information, as Charlotte claims to have lost her virginity to Lizzie. What would it feel like to be sexually arrested and then to so suddenly fall into bed with someone as attractive, worldly, and confident as Lizzie? Shepard doesn’t care to know—and this confession is eventually revealed to be fodder for one of the film’s many twists.