The Company and its subsidiaries evaluate the recoverability of deferred tax assets based on estimates of future profits. This recoverability ultimately depends on the ability to generate taxable profits over the period in which the deferred tax asset is deductible. The analysis considers the reversal period of deferred tax liabilities, as well as estimates of taxable profits, based on updated internal projections reflecting the latest trends.
The Company acts as a lessee in a significant number of leases on different assets, such as towers and the respective land where they are located, circuits, offices, stores and commercial real estate, mainly. A significant portion of these contracts are accounted for as operating leases under the current lease standard, with lease payments being recognized on the straight-line basis over the contract term.
Another initiative set forth by “Plano Brasil Maior” and approved by the government on May 5, 2014, was the establishment of exemptions for machine-to-machine services. The initiative reductions on the two taxation rates that compose the Telecommunications Inspections Fund (FISTEL). The Installation Inspection Rate (TFI), which is charged for each enabled chipset, decreased from R$26.83 in 2013 to R$5.68 in 2014, whereas the Operations Inspection Rate (TFF), paid every year for each chipset held by a Brazilian operator, decreased from R$12.40 in 2013 to R$1.89 in 2014.
The licenses above may be renewed; (i) only once; (ii) for an additional term of 15 (fifteen) years; and (iii) upon payment of 2% of our net revenues from usage charges in the applicable region in the previous year. The payment is also due every two years during the extension period.
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One can see in all this a flirtation with a leftist melancholia, the defeatist sense that the radical days have come and gone, now that the fervor that drove the I.R.A. and other anti-imperialist struggles has receded. One can also see Foreman entertaining a hope made all the more important for its private meaning. He’s searching his father’s archive for whatever will invite a reconciliation. In dwelling on the slightest resonances with MacCaig’s world, he makes reunion, however elusive, seem momentarily necessary.
A voiceover narration, written by Jarman and read in the elegant voice of Michael Gough, warns us that The Garden will not be interested in conclusions, and this elliptical film also proves uninterested in conclusiveness. “I want to share this wilderness of failure,” Gough intones, and by degrees we gather the wilderness he refers to is both the world in toto and the one the gay community has been abandoned to. At the end, as the martyred gay couple—we’ve seen them go through a modern 12 stations of the cross—sit down to a mournful gathering with the rest of the main cast, Gough speaks poetically of the lives lost to the AIDS epidemic: “Old age came quickly for my frosted generation. Cold, cold cold: They died so silently.”
As always, there’s a lot to take in, and this year boasts one of the fest’s most eclectic, diverse lineups yet. That’s both in terms of the elasticity of what "electronic dance music" can mean (it’s not all four-on-the-floor dance beats, although you’ll find plenty of that, too) as well as the performers themselves, many of whom are shaking the perception of electronic dance music as a white male bro thing — and helping to redefine the genre in the process. (Of course, real heads already know all about techno and house music’s Black roots.)
The meetings will be held at Center Congregational Church, 11 Center St., from 6 to 7 p.m. on the second and fourth Tuesdays of each month. Contact Kim at Kimw@snet.net for more information.
There are several civil claims filed against the Company. We have recorded approximately R$1,000 million in provisions for these proceedings where the risk of loss is deemed probable, including the civil proceedings described below:
Both Detroit natives, Crosson and Reeves have split their time between the Motor City and Europe, forming the collective and label Visionquest Records and pushing forward their cerebral and spiritual brands of dance music. —Lee DeVito
Cast: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, O’Shea Jackson Jr., David Strathairn, Ken Watanabe Director: Michael Dougherty Screenwriter: Michael Dougherty, Zach Shields Distributor: Warner Bros. Running Time: 132 min Rating: PG-13 Year: 2019
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